
封面以「膠片」與「追尋」作為視覺核心。畫面中的單獨人影行走於建築與光影之間,延伸出漫長的影子,象徵研究者循著散落的線索,追索一段曾經失落的歷史影像。
The cover is built around the ideas of film and pursuit. A solitary figure moving through an architectural space casts an elongated shadow, suggesting the process of following fragmented clues in search of a lost historical record.

書名採用模糊、錯位與磨損的字體效果,呼應老膠片在保存、複製與放映過程中留下的痕跡。封面邊緣加入連續的膠片齒孔,並以冷灰藍色、刮痕與顆粒質感,營造出歷史檔案與舊電影畫面的氛圍。
Blurred, displaced, and distressed typography recalls the visual traces left by aging film through preservation, duplication, and projection. Film perforations, scratches, grain, and a cool blue-grey palette reinforce the atmosphere of archival footage and historical documentation.

內頁以簡潔、克制的編排為主,透過留白、細線與黑白灰層次整理大量史料,使文字閱讀保持清晰,同時延續整體沉靜而帶有紀錄性的視覺語言。
The interior design uses a restrained typographic system, generous white space, fine rules, and a monochromatic palette to organize the historical material clearly while maintaining the quiet and documentary quality of the book.





Project|《從南京到紐約─追尋馬吉影像》
Category|Book Design
Services|Cover Design, Editorial Design
Pages|600
Print|精裝、平裝
Client|喆閎人文工作室
Year|2025